Метро:
эволюция графики

Use the input image as a strict composition reference. Preserve the exact framing, camera angle, perspective, subject placement, and overall scene layout. Do not add, remove, or reposition any objects or people.

Convert the entire image into authentic original Game Boy graphics: native 160x144 low resolution, huge visible square pixels, hard nearest-neighbor edges, no anti-aliasing and no smoothing. Use a strict 4-shade monochrome DMG palette only — dark olive-green, mid green, light green, pale green — no other colors. Render all shading through coarse checkerboard dithering, with no gradients.

The woman becomes a chunky 4-tone character sprite with a readable silhouette. The platform, ceiling beams and pillars collapse into flat green pixel blocks. The fluorescent tubes become pale-green banded pixel lines. The train becomes a chunky sprite. Distant city lights become single pale-green pixels.

Look: a still frame from a 1989 handheld console game. No color, no text, no UI, no new objects.

Use the input image as a strict composition reference. Preserve the exact framing, camera angle, perspective, subject placement, and overall scene layout. Do not add, remove, or reposition any objects or people.

Convert the entire image into 16-bit SNES / Sega Genesis pixel art: native ~256x224 low resolution, large clearly visible square pixels, hard nearest-neighbor edges, no smoothing or anti-aliasing. Use a limited full-color palette of roughly 16-32 colors, posterized, with dithering (checkerboard and cross-hatch) replacing all gradients and glow.

The woman becomes a detailed character sprite with only 2-3 tones per surface — the white tank top, light-blue jeans and black boots read as flat color blocks with dithered shadows. The fluorescent tubes become bright banded pixel lines. The platform tiles become a repeating pixel texture. The train becomes a chunky multi-color sprite. Distant city lights become single glowing pixels.

Look: a cinematic cutscene frame from an early-1990s 16-bit console game. Posterized, dithered, no photorealism. No text, no UI, no new objects.

Use the input image as a strict composition reference. Preserve the exact framing, camera angle, perspective, subject placement, and overall scene layout. Do not add, remove, or reposition any objects or people.

Reinterpret the entire image as aggressively stylized early-2000s low-poly 3D at a soft 480p look, with visible texture aliasing and slightly muddy low-res texture mapping. Every surface is built from clearly visible faceted polygons with hard triangular edges and flat faceted shading — one solid color plane per polygon, a hard lighting break at every edge, no smooth curves.

The woman becomes a low-poly character model: angular blocky limbs, a faceted torso, a simplified polygonal head with flat-shaded planes instead of soft facial detail, hair as a few large angular chunks; jeans, tank and boots as flat-shaded polygon groups. The platform floor is a low-poly tiled plane, beams and pillars are chunky angular prisms, the train is a simple boxy low-poly mesh, distant city lights are flat glowing polygon dots.

Basic per-vertex lighting with flat highlights, drastically reduced polygon count, clearly artificial 3D, zero photorealism. No text, no UI, no new objects.