SCENE CONTEXT
SROK episode 4, scene 4, returning from Vika's apartment to the family bedroom. The father has packed a grey T-shirt and a navy T-shirt into an open travel bag on the bed. Misha, his preschool son, returns from the hallway already carrying his favourite plush rabbit; fetching it happened off screen. Misha puts the rabbit on the father's clothes so the father will have company at night, then says exactly one line in Russian: "Пусть с тобой поспит." The father stops trying to close the bag and steadies the toy instead. The heavily pregnant mother watches nearby. No adult replies. Exactly three people, one bag and one rabbit.
THE DEVICE — THE WORLD AT THE CHILD'S HEIGHT. The first shot stays at Misha's eye height, making the adults physically larger at the edges. A short backward camera move accompanies his last two steps to the bed. The camera then stops for placing the rabbit and the spoken line. A single hard cut AFTER his line reveals the father's response over the child's shoulder, with the toy and the father's face in the same composition. Fourteen seconds, TWO shots and exactly ONE hard cut at 9.0 seconds. Real time throughout, no slow motion or speed ramp. Never use an inside-bag viewpoint, overhead table view or a repeat of the previous packing-hands insert.
ACTING — shared direction: make the father's bedtime away feel manageable to the child without turning this moment into a confrontation. Misha wants his father to accept the comfort he himself uses; the open travel bag tells him that Dad is going away. His tactic is to offer the rabbit as a practical solution, then look up to see whether Dad will take care of it. He is a child helping, not an adult delivering a tragic speech. The father wants to receive his son's gift without making a promise he cannot keep; the gift interrupts his ability to make leaving a simple packing task. He stops managing the zipper and supports the rabbit, letting his son see that he has accepted it. The mother wants her son to be heard without making him responsible for the adults' decision. She stays nearby and watches whether the father receives the gift; she does not answer for him or urge the child onward. All three attend to the same small exchange. Restrained acting, no tears, sobs, gasps or exaggerated reaction. Safety: active attention to partner and objects, natural breathing and blinking, never a frozen vacant stare.

ACTIVE REFERENCES
@image1 — MISHA IN PAJAMAS. Preserve the preschool boy's exact face and age: tousled sandy-brown felted hair and forelock, large brown eyes, freckles, pink nose, soft round cheeks and small-child proportions. Pale butter-yellow long-sleeved pajama top, grey-blue pajama trousers without holes, white socks, no shoes. Take ONLY his identity, design and wardrobe from the card, never the panels, grey background, pose or studio lighting. Match the same boy, not an older taller child.
@image2 — THE FATHER. Exact existing tall lean body, sandy light-brown swept forelock, grey-blue eyes, long nose, freckles and light stubble. Grey crewneck sweater with sleeves pushed up to the forearms, dark jeans, white sneakers, wedding ring. No blue jacket in this scene. Take only identity and wardrobe, not the reference's smile, background or panel layout.
@image3 — THE MOTHER. Exact long narrow oval face, hooded hazel-olive eyes, brown brows, freckles and left-cheek beauty mark, brown hair pinned with a charcoal claw clip and loose temple hair, gold stud earrings. Same camel ribbed knit top, matching wide trousers, white socks and full 28-week pregnancy belly. Only character design and wardrobe, not sheet layout or light.
@image4 — THE BEDROOM. Same room as the packing scene: bed on the right with cream linen and a sage blanket, pale oak wardrobe at the back with the left compartment open, doorway at rear-left, warm bedside lamp and cool evening window light. Preserve the furniture and doorway. The open travel bag is near the accessible left edge of the bed, within easy reach of the child; it does not move during the clip.
@image5 — ONE CANVAS TRAVEL BAG. The two views show one prop. Use the open shape: slate-blue canvas, charcoal short handles folded outside, brass zipper and grey lining. The bag starts fully open and already contains TWO folded T-shirts, grey underneath and navy on top, as at the end of scene 2. It stays open through the end of this scene. There is room for the small rabbit on top of the folded shirts.
@image6 — ONE SMALL PLUSH RABBIT. Match the oatmeal-beige plush, cream belly and inner ears, brown embroidered eyes and nose, simple stitched mouth, softly bent anatomical left ear and subtler repaired seam on its left forepaw. Body plus head about 24 centimetres; soft ears add height and can fold. This is a child's small inanimate toy, not a living rabbit, not a large teddy. Exactly one toy transfers from the child's hands into the bag and stays there.
All characters and objects belong to the same tactile stylized 3D world: softly flocked matte skin, felted hair, knit, woven fabric, sculpted dimensional forms, pale wood and restrained brass. Natural contact shadows and light falloff; no flat paper painting, glitter, live-action skin or glossy plastic.

LOCATION MAP
The father stands on the far side of the open bag, centre-right. Misha approaches along the clear floor aisle on the LEFT of the bed, holding the rabbit against his chest with both hands. The mother stands just inside the rear-left doorway, a short distance behind Misha, watching them. She remains there throughout; no overlapping hands or three-way embrace.
The camera starts in that clear floor aisle in front of and slightly to the LEFT of Misha, looking toward him and the doorway, with the bed and bag visible at frame-right. It backs up only 40 centimetres along the aisle during his two small steps, never travelling through the bed. It stays at his eye level, about 85–90 centimetres above the floor. He stops beside the bag and turns slightly toward his father, so his face stays three-quarter to camera and his mouth remains visible.
The bag is within 10 centimetres of the accessible mattress edge. Its rim is LOWER than Misha's shoulders; he can place the toy using both hands while both feet stay on the floor. He neither climbs nor stretches across the bed. Maintain Misha screen-left and father screen-right across the cut.

FIRST FRAME
A child-height medium view of Misha entering the bedroom aisle with one beige plush rabbit held at his chest. His face is visible above the toy. The open bag and the grey-sweater father's lower torso are at frame-right; the mother is in the rear-left doorway. The room is already established; no distant empty-room opening.

FORMAT MODE
Native vertical 9:16, one full-frame view per shot. No reference-sheet layout, split screen or text.

OPTICS
Shot 1: FOV 47 degrees, f/5.6, at Misha's eye height. Keep his face, rabbit and near bag rim readable together. Adults may extend above the top edge in this child-oriented composition; do not enlarge Misha to match them.
Shot 2: FOV 47 degrees, f/5.6, external three-quarter view just behind Misha's LEFT shoulder, slightly above his head, toward the father and bag. His shoulder is a narrow soft foreground edge at frame-left. The father's attentive face occupies upper-right and his right hand supporting the rabbit remains visible below. This is a relationship shot containing face AND hand, not a macro insert of the bag. The mother may remain softly visible in the rear-left doorway.

CAMERA
0.0–2.5: a short physical backward dolly of about 40 centimetres along the floor aisle, at constant child-eye height, accompanying Misha's two small steps toward the bag. No sideways slide or rising camera.
2.5–9.0: stop the camera and hold the child's three-quarter face and toy transfer. Keep his mouth unobstructed through the entire line.
At 9.0: one HARD CUT over Misha's left shoulder toward the father, toy and supporting hand.
9.0–14.0: hold that composition, no push-in, camera lift, zoom, orbit or extra cut. The father leans slightly toward the child as part of receiving the gift; he does not squat or leave the frame.

ACTION SEQUENCE
0.0–2.5 — SHOT 1. Misha takes two small socked steps along the aisle, holding the rabbit with both hands, and stops beside the accessible bag edge. He notices the packed clothes and looks from the bag toward his father. The father's right fingertips are near the zipper pull but the zipper has not moved; the bag is still fully open.
2.5–5.5. Misha raises the ONE rabbit a little and gently lowers it feet-first through the open bag mouth onto the navy folded shirt. The body settles on the clothes, with its head and soft ears visible above the rim. Both of Misha's hands support its body until contact; then both hands release and withdraw to his sides. The father leaves the opening clear. The rabbit is supported by the clothes, not floating.
5.5–8.1. With the rabbit now resting in the bag and his own mouth fully visible, Misha looks up at his father and says quietly and simply in Russian: "Пусть с тобой поспит." Natural young boy's voice, clear ordinary diction, gentle practical intention, no adult voice, theatrical emphasis or crying. Accurate Russian lip-sync. The parents remain silent.
8.1–9.0. Misha waits for his father to accept the gift. His hands remain free. The rabbit stays where he put it.
HARD CUT at 9.0.
9.0–11.0 — SHOT 2. The father's RIGHT hand leaves the zipper pull and gently cups the side/back of the SAME rabbit to keep it steady on the clothes. His LEFT hand stays on the outside bag rim. He does not lift or take the rabbit out. He leans a little toward Misha, attending to his son's offer instead of continuing to close the bag.
11.0–14.0. He keeps the rabbit steady and looks at his son, accepting the gift without inventing a verbal promise. Misha remains at the bedside and the mother watches from nearby. Hold the unanswered moment. The bag remains fully open. Nobody speaks again, walks away, hugs or puts on a jacket.

ANIMATION STYLE
Restrained tactile stylized 3D feature animation on twos within a 24 fps output, smooth camera dolly. Child-sized gait and balance, soft sock contact with the floor, slight ear flop from gravity while the toy is moved, tiny fabric settling. Precise purposeful hands and active listening, no frozen frame or broad pantomime. The plush rabbit never moves by itself.

PHYSICS
Exactly THREE people; each has two arms, two hands and ten fingers. Child hands handle the toy first, release after it rests on the clothes; only afterward does the father's right hand support it. The mother's hands stay by her own body. Exactly ONE rabbit, ONE open bag and TWO folded shirts. Grey shirt under navy shirt, rabbit on top. Soft toy ears may fold naturally; its body does not deform into a different species. Every transfer passes through the open bag mouth, never through canvas. All characters keep feet on the floor. The bed and bag remain in place. No zipper closure or zipper sound.

LIGHTING
Same bedroom evening as scene 2: warm 3000K bedside lamp and doorway light, weaker cool blue-hour window fill around 6500K. Model Misha's cheeks and the toy with soft shaped light, keep the pale-yellow pajamas distinct from the camel mother's outfit. Clear contact shadows under the toy and hands, dimensional face modelling and tactile material detail. Preserve the sources and direction across the cut; no flat studio relighting or dramatic coloured spotlight.

AUDIO
NO BACKGROUND MUSIC, NO SCORE, NO MUSICAL STING.
Exactly ONE spoken passage, entirely in Russian, spoken ONLY by Misha during shot 1: "Пусть с тобой поспит." Natural preschool boy's voice, quiet and matter-of-fact, without tears or adult narration. No parent's reply, extra words, gasp, sigh, crying, singing or other voice. Otherwise diegetic sounds only: two soft socked steps, pajama and plush rustle, one soft toy-on-shirt contact, very quiet apartment room tone. No zipper sound and no emotional sound effect.

QUALITY
Stable identities, child age and body proportions, full maternal pregnancy, consistent bed and bag placement. Readable Russian lip-sync on Misha with an unobstructed mouth. Toy transfer remains physically clear. No duplicate rabbit, hands or clothes. Fine natural film grain and tactile matte surface detail. No text, letters, numbers, captions, logos or UI anywhere.

TECHNICAL PARAMETERS
Seedance 2.5, direct BytePlus/ByteDance, 480p, vertical 9:16, 24 fps output, exactly14 seconds. TWO shots and ONE hard cut at9.0seconds. Real time throughout, no slow motion or speed ramps. Generate synchronized Russian line and quiet diegetic audio.

POSITIVE LOCKS
Exactly three people: preschool Misha, his father and his heavily pregnant mother, matching their three separate identity references.
Each person has exactly two arms, two hands and ten fingers.
Misha wears yellow-grey pajamas and white socks; father wears grey sweater without jacket; mother wears camel knit.
Exactly one plush rabbit moves from Misha's two hands onto the navy shirt in one open bag.
The father supports that rabbit with his right hand after the boy releases it; the rabbit stays inside the bag.
The bag remains fully unzipped, on the same bed and within the child's easy reach.
Misha's mouth stays visible for the one exact Russian sentence in shot1; both adults stay silent.
The first shot stays at child-eye height with one small backward dolly; the second includes father's face and supporting hand over the child's shoulder.
Two shots, one hard cut, all action in real time.
NO BACKGROUND MUSIC, NO SCORE, NO MUSICAL STING. No music of any kind.